Thursday, 10 September 2020

Writing Dhamma Poems

 

How to Write Dhamma Poems


1.    Overall View 

Any literature consists of prose and prosody. In Pāli or Buddhist Literature, the prose is called Cunniya, and verse or prosody is called Ghāhtā.   Dhammapada is one of the verses anyone can see in Buddhist Literature. Learned monks and scholars compose Ghāhtā or Pāli poems, in ancient times as well as in modern days. 

In some of the Buddhist Original Pāli Texts as in Sagāthā vagga saṁyutta pāli is composed of prose and verses which one can study it. Especially in Myanmar Literature, the contributions of learned monks like Shin Mahārathasāra and Shin Mahāsīlavaṁsa of Innwa Period are immense that up to nowadays people have to read and discern the true meaning of the teachings of the Buddha. Their benefaction is priceless for Myanmar Literature. 

Because of them, it can be said that Myanmar Literature became matured and perfect in its own way. They are great poets. In modern times, scholars or learned monks have tried their hands at poetry which can be called Buddhist Poetry to educate and to share their knowledge with others. Writing poems has become a way to spread messages. They use it as a medium to convey their messages or Buddha's Teachings. 

Like Arnold who wrote the poem named "Light of Asia" is one of the best examples of that kind. Everyone shows a surprise to that.
 

2.    What the poem is

A poem consists of form and content. The form may be varied according to the type one writes. Some want to write narrative poems, some epic poems, some sonnets, some lyrics, etc. According to their intention, the form they choose may differ. 

A poem has a stanza or stanzas. A stanza has composed of two lines, or three lines, or four lines. A two-line stanza is a couplet, and a quatrain means a four-line stanza.The choice of stanzas depends on you. Sometimes, you want to write a two-line stanza poem, sometimes a three-line stanza, or sometimes a four-line stanza. It does not matter because the choice depends on your intention. It is important to know the iambic or meter scheme.

Each line consists of words that have accented and unaccented on them, based on that rhythm appear. Because of this rhythm, when one reads the poem, one can feel or experience the cadence of the poem. There is one type of poems called "Blank Verse" which is used by William Shakespeare in his sonnet which is a sixteen -line poem. This kind of blank verse you can use in writing Buddhist poems. This is a suggestion for you.  

3.    How to choose the subject    

The subject or theme or content depends totally on you. You can choose everything concerning Dhamma or Dhamma's experience or a single moment of thought or a single moment of experience. You can express one of them in your own words in a poem whose shape or numbers of stanzas do not matter as long as you want to write it at first because you can modify or edit it later.

Suppose you choose the theme "Impermanence" when you see the leaves falling down from the trees. You feel sad or feel nostalgia or you realize it is impermanent in this world. You want to write down and share your experience with others. 

This is your subject or theme you cope with. You can write it down everything you feel inside your mind or heart. It will drift into some words to some stanzas until there are no other feelings left in you. You just unleash your feeling into the poem which becomes existed because of your inspiration. You got inspired by the sight of falling leaves. You describe the scene and your feeling in the poem. 

Next, you adjust the words, the lines, and the stanzas. You choose the meter scheme or rhyme scheme. You edit it for its improvement. Your poem will become good to read.
 

4.    Meter Scheme and Rhyme Scheme
 

Meter or foot is a single rhythmical unit. The following are the popular ones:
Iambic             duh DAH             inDEED
Trochee        DAH duh            THOUGHTless
Anapest        duh duh DAH            in a TREE
Dactyl            DAH duh duh            SPECimen 

The most well-known one is iambic pentameter which contains five iambs. One foot is called a monometer, two-foot is dimeter, three is trimeter, four is tetrameters, five is pentameter, six hexameter. As for forms, there are couplet, heroic couplet, haiku, sonnet, free verse, etc. As for the rhyme scheme, there are internal rhyme and external rhyme. For the external rhyme scheme, in heroic couplet is "aabb".
 

Rhyme royal is a stanza composed of seven five-stress lines rhyming "ababbcc".
Ottava rima is an eight-line stanza whose first six lines rhyme alternately but which ends in a couplet; perhaps the most versatile stanza form in English.

There are also two types which are the quatrain (abab) and the couplet (aa). As for Sonnet's poem, three quatrains, abab, cdcd, efef, followed by a couplet, gg.


5.    The Poets to be discussed

The poet to be discussed here is Ven. Sujiva who has written several Buddhist poems and also published the anthologies of them. His poems are pleasant to read. He is one of the leading icons in Buddhism nowadays. He is well-known for his writings on Buddhism. He resides and teaches meditation at his hermitage, Santisukharama, in Kota Tinggi, Johor. His first poetry collection is "Voices from the Heart". Here, I would like to excerpt some of his poems to understand or to appreciate and also to learn how he writes his poems.

6.    Appreciating and writing poems

When appreciating a poem, one should ask these questions: (1) what kind of diction used? (2)What kind of imagery, positive or negative? (3) What kind of figures of speech, e.g, similes, metaphors, hyperbole, etc..? (4) What the rhyme scheme is? (5) What kind of meter? etc.

When writing a poem, these steps are essential: (1) Imagination (Inspiration) (As mental image) (2) Choosing Themes (3) Choosing Forms (4) Writing It Down (5) Drafting (6) Re-writing (7) Editing (8) Publishing. One should equip oneself with the necessary skills needed for a poet. Knowledge of poetry is helpful for writing poems. One should know the elements of poetry.


7.    Applicable Way

It is applicable that writing Buddhist poems is a means of propagating or teaching or educating Buddha's sāsanā. The influence of Buddhism on American Beat Generation Poets is seen in American literature. It can be seen starting from Ezra Pound to Robert Kelly, Jack Kerouac follow this tradition. Buddhism affects them. They compose Buddhist poems.
                                                                          …
In conclusion, writing Buddhist poems will serve as a way of missionary works, as well as a way of practicing Buddhism at the same time. It can also bring about unity and peace among people. They can understand one another. Because of that, unity and harmony can prevail in this world in which there will be never devoid of peaceful songs on earth.


                                                    (Extract from my graphic poem)
    

Written by San Lin Tun

Monday, 7 September 2020

Double Line Literary Journal:  

How to Write a Feature Article


 

Writing a feature article is not so much difficult if one knows certain rules or facts. The first one usually starts with subject or theme one should want to write about.

It may be about a certain place or object. In this case, one should go to that place to take notes on it. Later, he can compose it in a very proper way.

Suppose, you want to write about a certain old book shop whose owner you know personally or not. In this case, you should call him to make an appointment. It means when he will be available to make an interview for your subject (theme).

Then, you can collect some facts which are useful for your writing. You can later translate them into your targeted language which will be English. It will take a few hours_ maybe one or two hours maximum. It is also important you should ask him appropriate or suitable questions concerning his business. It should be aware that you should not give any difficult ones to confuse his mind.

The conversation should be free in informal, cozy and friendly ways. You can know a lot of knowledge from this kind of interview. You can thank him on everything you ask him about.

This is for writing an article based on interviewing someone to get facts which will later be developed into the feature article.

(1) The Feature Article Based on without Taking an Interview

Another kind is you have to go to the place you want to write. This time, you take notes on some interesting things which will be useful for your writing.

Suppose when you visit a museum, you need to get a pamphlet or something like that because it is very useful when you need a quote for your article. Then, your article will be more relevant in the contemporary context and the readers will love it anyway.

Here, a kind of inserting one of the quotes into the article follows in this way.

“It’s about U Thant House. I get a lot of knowledge from the pamphlet because I can read his life profile for my writing.”

(2) Taking Photos

You also need to submit your taken photos to the journal you work for. Sometimes, they use very few photos _ maybe two or three photos for your writing or story. But, you should bear in mind that your photos will be used for enhancing your texts which describe the subject very well. So, you should try to obtain any significant photos you can from the best perspective.

(3) Drafting

When you gather necessary facts on the subject you want to write, you can write down your first draft. You do not need to worry about what the story will become. You need to write down freely until you put all those facts into your story. You have to bear in mind that you need to read and write your first draft again.

(4) Rewriting

Rewriting should start after drafting. In your first draft, there will be illogical points existing in respective paragraphs. You will find inconsistencies in facts and sentences. You need to make them right again by rewriting. You can put extra facts if you want to write more of your feature article.

(5) Editing

This stage is to get final draft which will be ready to send to your editor. You need to edit your draft to be suited to your editor’s needs. The copy editor will check your story again by cutting or aligning your story to put into his newspaper or journal.

(6) Submission

When you finish your edited story, you can submit to your editor for consideration for publication of your story.

If you are as a freelance writer, you should be well-versed in its craft. You can write the feature article based on any situation. You will be a successful freelance writer.

Notes on how to write a feature article

1.       Kinds of the feature article

-Article based on interviewing

-Article based on non-interviewing

2. Taking photos

3. Drafting

4. Rewriting

5. Editing

6. Submission

Therefore, it should be noted that there are at least six steps involving in writing a feature article.●

Written by San Lin Tun (Freelance Writer)

 

 

Thursday, 27 February 2020

Senseless

Senseless

A man is lying down (lying down) on the pavement
/ no fear/ no worries/ no anticipation/
"who is he?" "what is he doing?"
"a beggar?" "a pauper?" "a homeless?"
"what is the problem?"
no one stops to look at him
(he is still lying.)
                                                       San Lin Tun

*repetitive/rhythmic experimental poetry (RRE poetry)

Wednesday, 26 February 2020

A Strolling Thought


A Strolling Thought



            He wondered what he ought to write down. Did illogical sentences come out as before? Then, he would be criticized again. Actually, he had been studying properly; but, the difficult thing was that he did not know what he would like to write.

            There is a saying which goes "Being ignorant is more difficult than having nothing". It is true; it is better not to own anything, because if one knows nothing it is a real dilemma. Today age is the knowledge age. One would be left behind if one cannot keep up with the age. Therefore, he read any sort of books. But, he could not satisfy with his own knowledge. And, he thought he still needed to be fulfilled.

            Some of his colleagues advised him that only when he knew everything and started to write down, he would be old enough. Their advice was laudable. He accepted them. But, there was one thing he had accepted that it was indispensable one should know one's art very well like filling up one's stomach.

            So, he tried to write gingerly whatever he wrote, from words, the syntax, the themes, everything he tried to manage to put them together not to be needy. He tried to choose desirable words, then, he used them. He studied distinctively what kinds of diction use in what kinds of society or communities. What was that? A slang, a colloquial, a dialect, an euphemism, and a derogatory, etc.

            Next, the syntax which is consistent with the themes, for an active situation, he uses short sentences orderly and successively; so also, for a series of events and exposition he uses longer sentences. He was accustomed to them and became habitual about it. But, the difficult thing was sometimes he could not find the theme he would write this time.


            So, he had read about it in a book. It was "The scariest thing for a writer is a blank sheet of paper". It was true. It might be like someone who is afraid of ghosts, when he watches a horror film, his face becomes pale, a writer who though has an idea in head, but does not know what he writes on paper and nothing comes into his head, the latter is worse than the former.

            He stopped wandering. He reviewed many popular subjects and literary forms from rhetoric texts he had read. He sat at a writing desk nonchalantly. Before him sprawled blank sheets of paper and a pen. He looked like an entrepreneur was about to embark on a business. In business, Kamma is crucial. Every risk causes excitation, right?

            People really enjoy excitement. Look at those who ride roller-coasters or faris wheels in parks. Some engage in extreme activities like a free-fall from the hills, and bridges or playing acrobats, etc.


            Oh, a piece of idea rushed into his head. It was the beginning of inspiration. Later, the themes to be written will be lighted. He felt happy. And he satisfied himself a bit. His studies would not become useless then. One way or other he uses them. He must use his art for his own existence. Then, he could stand as a human being.


            Another difficult thing became "the title".  He was at a loss giving a name to a short poem.   He read it, he measured it with checklists. It contained images, tight words, good and reflects the age. Read it, and he smiled. In fact, he wrote it from his feelings. He wanted others to feel like him. He is an expressionist.


            He looked up at a clock on the wall to know the time. It said: 4: 30. This time, he went out for a cup of tea. He read the poem again. He could not think out its title. He knew a man is a victim of habit. This time he did this. So, he has to do it. It is natural.
 

            He picked up a shirt and wore it. Before he left the room, he stacked the sheets of paper neatly. Beside them lay an untitled poem and a blue pen. He looked at them thoughtfully. Then, he closed the door carefully, and left. When he felt vexed, he knew what he should do.

            It was that to drink a cup of tea or to take a stroll.●
                                                                                                                      written by San Lin Tun

Glossary
Kamma an action or a result one gets from one does.

(A short story extracted from the short story collection titled ''A Classic Night at Cafe Blues and Other Short Stories.)

Monday, 24 February 2020

Time


Time       
Time gradually moves on, gradually moves on, (moving on). Is it a gradual moving or coming nearer? It’s true it is moving. The truth is that it is doing. The truth is that it is standing. Standing, going and moving- these processes, (processes), who will come to look at them? Ask about that and give an answer back. That’s (it). Stopping is for going. Going is for stopping. Stopping is for working. These are for (everything).

*Repetitive/Rhythmic Experimental Poetry (RRE poetry)